by March 11, 2014 in Books
If you're familiar with the old some smart, some don't, you've probably noticed that the site looks completely different. These changes, however, aren't just superficial. I've completely rebuilt the site using the django framework instead of wordpress. What these means, practically, is that the relationship between everything on the site is much smarter and more integrated.
For example, I've related this blog post to William Morris' Wood Beyond the World, which means if you click through to the single entry view, you'll see the book listed on the right. This relationship works both ways, as well, so if you head to the book's page it will link back to this post, and any other post about the book. These small, but significant, relationships now run throughout the site.
Another new feature is the favorites page, which will hopefully help to distill all the posts, reviews, etc on this site into a single place where you can go to find a list of my favorite books to recommend by genre. The listed genres will update overtime as I add new entries to my favorite lists.
If you have any suggestions for additional features or content let me know.
There are going to be a few thematic spoilers to this book, but I'll be careful not to spoil too much for those who want to read Sanshirō.
"He drifted off, and when he opened his eyes the woman was still there."
Despite its simple appearance, this is a really great first line. Even without being informed by the rest of the novel, we can learn a lot about Sanshirō as a character from this opener. If we build the imagery of what is happening here in our minds, we see that Sanshirō took enough interest in the woman nearby to notice her, but allowed himself to drift off to sleep. When he does awake from his brief rest, he immediately notices the woman again.
What does this mean? Clearly women are something of interest to Sanshirō, evident by the fact that nothing else about his surroundings is mentioned as he falls asleep, or as he wakes up. And yet, there is something about the choice of the word “still” that implies Sanshirō is not entirely comfortable with the woman nearby. As though by closing his eyes and drifting off to sleep Sanshirō hoped the woman would be gone ...
It isn’t a good sign when you start a review of a book as follows: There’s something about writing a bad review that is always easier than writing a good review. If you ask me why my favorite books are my favorites, my discussion will devolve into mumblings about them being ‘so good’. Mediocre, unforgettable books can also be troublesome to articulate. But whenever I come across a book that I think is full of flaws and that I generally dislike, I feel like I could write for hours. Such is Brilliance of the Moon, the third book in the Tales of the Otori series by Lian Hearn.
I’ve thought a lot over the last week about why I didn’t enjoy this book, especially since I enjoyed so much about the first in the series. I think part of the answer is in the question itself: I really liked the first book, so my expectations were high for the rest of the series. Ok, that’s fair, but why did the second and third not meet my high expectations?
In the first I enjoyed the magic and mystery surrounding the Tribe abilities, I enjoyed watching Takeo ...
by Feb. 22, 2012 in Books
The LA Times recently posted an article about how Penguin has pulled their eBooks from overdrive, meaning they are no longer available to borrow from many libraries (including my own). It seems to me everyone (except maybe the libraries who probably are actually interested in helping people read more digital books) is doing something wrong with library lending.
First, Publishers: why do you force such strict DRM on library eBooks? If I wanted to steal your book (which I don't), I certainly wouldn't be going to the library to do so. I'm going there because it's a simple, legal, and locally supportive thing to do. So don't put restrictive DRM on the item you claim you want me to read that prevents me from putting it on whatever device I want.
In the same way, Amazon: don't be so restrictive on the types of eBooks I can put on my Kindle. It's fully capable of handling ePub books, and the more you get me using the device by allowing it to read anything the more likely I am to buy future books from Amazon.
Amazon: don't require that I have to go ...
I picked up The Amulet of Samarkand last year, the first book in the Bartimaeus trilogy, on a total whim. No one recommended it, and I knew nothing about the book or its author. I simply needed a new audio book and the description looked interesting enough. Grabbing a book like this can be risky, but when it pays off, it’s great. Reading an excellent book with no preconceived notions is one of my things as a reader.
The premise: Nathaniel is an up and coming wizard in London. The twist in this magical world, however, is magicians get their power from enslaving demons from “the other place”. Bartimaeus is one such demon, or a djinni to be more specific, who Nathaniel summons early on in his magical career. This makes for an interesting story in and of itself, but what makes the Bartimaeus trilogy so great is Bartimaeus himself.
The books transition between being told from third-person omniscient for “Nathaniel” chapters and first-person for “Bartimaeus” chapters. Of course, if you ask Bartimaeus he might tell you that his sections are from an omniscient perspective as well, such is his charming over-confidence. He’s sarcastic, ironic, and just unreliable ...
by Feb. 6, 2012 in Books
I received a Kindle Touch for Christmas and over the last month I’ve read four books on it. I absolutely love reading on the Kindle and would actually prefer to read every book on the device if I had the choice. There are several reasons why:
Note: An electronic copy of Giant Thief was provided to me for review by the publisher Angry Robot Books.
Easie Damasco is a scoundrel and an thief, and everyone seems to want him dead. Despite near constant threats to his life, nothing deters him from continuing his life of crime at every possible moment. As a result, Giant Thief is a fast-paced, non-stop action fantasy novel full of comedy that never lets up from beginning to end.
From the first line, we learn a lot of what we can expect from Giant Thief: “The sun was going down by the time they decided to hang me.” This is a great opener – we immediately learn that Easie is the type to look at even the most serious situations in a carefree manner. Also, we see that he’s the type of guy who puts himself in a position where people want him dead. Unfortunately, this quick-draw opening and the subsequent chase actually left me a little bewildered. Who is Easie? Why should I care whether or not he is captured and killed? Even by the end I felt like I had only scratched the surface of understanding Easie as a character ...
You’ve just read a book so good that you want everyone else to read it immediately, but you know that if you approach the subject with too much enthusiasm, you risk overselling the book and causing the opposite outcome. In fact, the more you say, the more likely you’ll mention something that person hates about books, thus ensuring they never read it. Or, in your haste and excitement, you might offer your own rash interpretation, implying the book is about something it isn’t, and thereby cause yet another person to pass on a wonderful piece of literature. Such is the unresolvable dilemma I find myself in with Catch-22.
Suffice it to say, I absolutely loved reading this book. It starts slowly, as Heller’s writing style (and the way he jumps back and forth through time) has its own unique rhythm. Once you grow accustomed to it, however, it becomes utterly engrossing. This is an especially odd thing to say because there’s nearly zero plot in the book. Instead, it focuses almost entirely on characters, and the crazy, bizarre, emotional, disturbing, horrifying, hilarious antics that fill their lives during war.
Yes, Catch-22 is a book about ...
I read Robert Heinlein's Stranger in a Strange Land last year and I didn't enjoy it, despite its strong start. In addition to my disappointment over the book, I was also surprised by the fact that I didn't like it. Here we had what is considered one of the greatest science fiction books of all time, and all I can do is criticize it for being heavy-handed and dull. Shouldn't this be exactly the kind of thing I love to read?
Since my experience with Stranger last year, I really had no intention of reading anything else by Heinlein. Still, he is considered a master in the genre and there were definitely some promising aspects to Stranger. And if C.S. Lewis is right when he says you can't criticize a book the first time to read it (shh...don't tell him I do that every time), I certainly don't have the right to ignore everything else by Heinlein just because of one reading of one book.
And a good thing I didn’t give up on him, because everything Stranger gets wrong, The Moon is A Harsh Mistress gets right. Mistress tells ...
Max Werner, 15, can see in the dark - a secret not even his best friend Tom knows. More sly than brave, Max has used his special gift for years to roam the streets of his neighborhood committing petty crimes and various acts of harmless delinquency. He prefers hiding from danger, safe in the shadows that only his sight can penetrate, rather than confronting anything head on.
His misdeeds bring him more than a few stolen goods, however, when he runs across a band of inhuman thieves that don’t take kindly to Max invading their territory. These strange bandits kidnap Max’s little sister as punishment for his indiscretion, forcing him to put what little courage he does have to the test.
Afraid to make the rescue attempt alone, Max must first convince Tom to join the adventure. Even with his perfect night vision, the giant spiders, bottomless pits, and blood-thirsty criminals that stand between Max and his sister may mean that none of them make it out alive.
A Selective History of Max Werner is a young adult adventure for all those who have ever wondered what secrets lay in the deepest shadows, the blackest cave, or the darkest ...